Dorothy Macardle (1889-1958)

9 Macardle“It would be strange, indeed, if the vigour and content of the living could not banish the lingering sorrows of the dead.” – The Uninvited (1941)

Dorothy Macardle—historian, playwright, journalist, and novelist—was born in Dundalk, Co. Louth. She was educated at Alexandra College in Dublin where she later lectured in English literature. She is best remembered for her seminal treatise on Ireland’s struggle for independence, The Irish Republic (1937), but also wrote novels of the uncanny, including The Uninvited (1941), The Unforeseen (1946), and Dark Enchantment (1953). She died in Drogheda and is buried in St. Fintan’s Cemetery, Sutton.

Earth-Bound Novels and Collections

Earth-Bound and Other Supernatural Tales (1924)

The Uninvited (1941)

The Unforeseen (1946)

The Dark Enchantment (1953)

Short Stories

“Samhain” (1924)

“The Prisoner” (1924)

“The Portrait of Roisin Dhu” (1924)

“The Venetian Mirror” (1924)

Find out more about Irish Writers of the Fantastic.


Green Book 09In 2016 Swan River Press reprinted Dorothy Macardle’s debut collection Earth-Bound—ghost stories written in both Kilmainham Gaol and Mountjoy Prison—in a lavish, limited edition hardback. This is the first time the book has been reprinted since 1924. With a new introduction by Peter Berresford Ellis, and the addition of stories uncovered in the archives, Earth-Bound and Other Supernatural Tales is the perfect way to rediscover the work of an extraordinary writer.

We’ve also featured Macardle quite extensively in various issues of The Green Book. Issue 7 not only includes a lengthy article on the life and works of Macardle, “A Reflection of Ghosts” by Peter Berresford Ellis, but the same issue reprints two of her poems, “Easter” and “The City”.  In Issue 8 we reprinted a hitherto unpublished short story by Macardle called “The Boys’ Room”, which includes a fascinating introduction by scholar Terri Neil.

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Dorothy Macardle (1889-1958)

James Stephens (1880-1950)

8 Stephens“What the heart knows today the head will understand tomorrow.”

– The Crock of Gold (1912)

James Stephens was born in Dublin in 1880. Like many young Irish poets of the early twentieth century, Stephens started his career under the tutelage of A.E.; he dedicated his debut poetry collection, Insurrections (1909), to his mentor. In Irish Fairy Tales (1920, illustrated by Arthur Rackham) and Deirdre (1923), Stephens explored the myths and legends of Ireland. His best remembered books are his Dublin novel The Charwoman’s Daughter (1912) and the philosophical fantasy The Crock of Gold (1912). He died in England in 1950.

136e52e37fb2b8e75873c34b7de2c8d8--wolves-art-illustration-artistsNovels and Collections

The Crock of Gold (1912)

The Demi-Gods (1914)

Irish Fairy Tales (1920)

In the Land of Youth (1924)

Collected Poems (1926)

Find out more about Irish Writers of the Fantastic.


Like Lord Dunsany, James Stephens was involved in the 1916 Easter Rising. His visceral account was later published in a riveting volume called The Insurrection in Dublin (1916), an extract of which was reproduced in Issue 7 of The Green Book. Stephens was also a reader of fantasy literature, and his review of E.R. Eddison’s The Worm Ouroborous (1922) can be found in Issue 8.

James Stephens was also celebrated for his superb poetical recitations, which he did often for BBC Radio. Numerous recordings still survive.

James Stephens (1880-1950)

Lord Dunsany (1878-1957)

7 Dunsany“A man is a very small thing, and the night is very large and full of wonders.”

– The Laughter of the Gods (1917)

Lord Dunsany (Edward John Moreton Drax Plunkett; 1878-1957) published his first collection, The Gods of Pegāna, in 1905. He followed this with more than sixty volumes of critically acclaimed stories, novels, plays, poems, and translations. A big-game hunter and a sportsman, Lord Dunsany was also a soldier and a highly ranked chess-player; and was the Byron Professor of English Literature in Athens in 1940-41. He was nominated for the Nobel Prize for Literature in 1950.

fc9dc8e8b83c8ce8df3a96b15f7835daNovels and Collections

The Gods of Pegāna (1905)

The Sword of Welleran and Other Stories (1908)

Plays of Gods and Men (1917)

The King of Elfland’s Daughter (1924)

The Curse of the Wise Woman (1933)

Short Stories

“The Highwayman” (1908)

“Idle Days on the Yann” (1910)

“A Night at an Inn” (1916)

“The Three Sailors’ Gambit” (1916)

“The Two Bottles of Relish” (1952)

Find out more about Irish Writers of the Fantastic.


Green Book 10If you’re interested in Lord Dunsany, then you’re in luck! We’ve devoted the entirety of Issue 10 of The Green Book to Dunsany. If you’d like to read the Editorial Note and peruse the contents, please head over to our website.

Issue 7 of The Green Book also featured Dunsany, in particular his role in the 1916 Easter Rising via an extract from his autobiography Patches of Sunlight.

And finally, in Issue 2, we’ve an article from Nicola Gordon Bowe, “Lord Dunsany: Portrait of a Collector”, discussing his contributions to the Irish Arts and Crafts movement.

Lord Dunsany (1878-1957)

Lafcadio Hearn (1850-1904)

6 Hearn“The Fairy of Science sometimes touches my ears and eyes with her wand; and then, for a little time, I am able to hear things inaudible, and to perceive things imperceptible. – Kwaidan (1904)

Born on the Greek island of Lefkada, Lafcadio Hearn (1850-1904) was brought up in both Ireland and England. At nineteen he emigrated to the United States where he became a journalist, first in Cincinnati and later New Orleans. After a sojourn in the French West Indies, he sailed for Japan in 1890. Hearn wrote extensively about his new homeland, its tales, customs, and religions, acting as a bridge between Japan and the Western world. He died in Tokyo where he is buried under his Japanese name, Koizumi Yakumo.

WRCLIT66914 Collections

In Ghostly Japan (1899)

Shadowings (1900)

A Japanese Miscellany (1901)

Kottō: Being Japanese Curios, with Sundry Cobwebs (1902)

Kwaidan: Stories and Studies of Strange Things (1904)

Short Stories

“Of Ghosts and Goblins” (1894)

“Nightmare-Touch” (1900)

“The Corpse Rider” (1900)

“Mujina” (1904)

“The Story of Mimi-Nashi-Hōïchi” (1904)

“The Dream of Akinosuké” (1904)

Find out more about Irish Writers of the Fantastic.


Insect LiteratureUnfortunately our sole Lafcadio Hearn title, Insect Literature, is now out of print. However, you can still read our blog post on what went in to the making of this much-sought-after volume.

Lafcadio Hearn did, however, feature in a couple issues of The Green Book. In Issue 6 is John Moran’s “Early Influences on Lafcadio Hearn”, while David B. Lurie contributed to Issue 8 “Orientomology   The Insect Literature of Lafcadio Hearn”.

And finally, we’ve one other blog post on Lafcadio Hearn, the reproduction of a letter written by Hearn’s literary executor, Mitchell McDonald.

Lafcadio Hearn (1850-1904)

Bram Stoker (1847-1912)

5 Stoker“How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.”   – Dracula (1897)

Bram Stoker (1847-1912) was born in Clontarf, Dublin, and educated at Trinity College. As a young man he worked as a civil servant at Dublin Castle, and as an unpaid theatre critic for local newspapers. He is best known today for his classic horror novel Dracula (1897), but during his lifetime he was known as the personal assistant of actor Henry Irving, and business manager of Irving’s Lyceum Theatre in London. Other notable works include The Jewel of Seven Stars (1903), Personal Reminiscences of Henry Irving (1906), The Lair of the White Worm (1911), and the posthumously published collections Dracula’s Guest and Other Weird Stories (1914) and Old Hoggen and Other Adventures (2017).

13e09088602f1915cef60bed8012b2e9Novels and Collections

The Snake’s Pass (1890)

Dracula (1897)

The Jewel of Seven Stars (1903)

The Lady of the Shroud (1909)

Lair of the White Worm (1911)

Dracula’s Guest and Other Weird Stories (1914)

Old Hoggen and Other Adventures (2017)

Short Stories

“The Judge’s House” (1891)

“Old Hoggen: A Mystery” (1893)

“Burial of the Rats” (1896)

“Dracula’s Guest” (1914)

Find out more about Irish Writers of the Fantastic.


Old HoggenSwan River Press has a number of Bram Stoker publications available, including the limited edition Old Hoggen and Other Adventures, which collects numerous rare and hitherto uncollected stories by the master of the macabre.

We also have three issues of The Green Book that feature Stoker material, including John Edgar Browning’s interview with Stoker’s most recent biographer, David J. Skal, Elizabeth Miller’s fascinating “Shape-shifting Dracula: The Abridged Edition of 1901″, and Carol A. Senf’s essay on The Snake’s Pass and Lady Athlyne.

Finally, there’s our Bram Stoker Series of hand-sewn booklets. The Stoker Series was originally published from 2009 to 2011. We launched the series as a means to investigate some of the more obscure but no less interesting corners of Bram Stoker’s life and literature. The sort of fragments that might otherwise not find their way into publication.

Bram Stoker (1847-1912)

Charlotte Riddell (1832-1906)

4 Riddell“I could positively declare my heart did cease beating as I listened, looking out into the night with the shadow of that darkness projecting itself upon my mind” – The Uninhabited House (1875)

Charlotte Riddell (1832-1906)—who often published as “Mrs. J.H. Riddell”—was born in Carrickfergus, Co. Antrim. In 1855 she moved to London and began producing numerous popular novels, most of which are now out of print. However, it is for her Christmas ghost stories that she is still widely read. Many of her best ghostly fictions were collected in the landmark volume Weird Stories (1882), while her uncollected tales remain a staple of supernatural anthologies to this day. Though she experienced financial hardships later in life, Riddell was still well-regarded and received a pension from the Royal Literary Fund from 1900 until her passing six years later.

Riddelluninhabited2Novels and Collections

The Uninhabited House (1875)

The Haunted River (1877)

Weird Stories (1882)

Short Stories

“The Banshee’s Warning” (1867)

“A Strange Christmas Game” (1868)

“The Old House in Vauxhall Walk” (1882)

“Walnut-Tree House” (1882)

Find out more about Irish Writers of the Fantastic.


Green Book 09If you’re interested in learning more about Charlotte Riddell, you might like to check out Issue 9 of our journal, The Green Book. In “Hauntings and Haunted: Charlotte Riddell’s Weird Stories”, Mike Barrett gives a wonderful overview of Riddell’s supernatural writings. Supplementing Barrett’s essay is an indispensable checklist of Riddell’s ghostly fiction.

In the same issue, you’ll also find articles about Elizabeth Bowen, Shirley Jackson, Rosa Mulholland, Dorothy Macardle, and Caitlin R. Kiernan.

Charlotte Riddell (1832-1906)

Preface to Bram Stoker’s Old Hoggen

Old HoggenTwo years after his death, the estate of Bram Stoker issued a posthumous collection of short stories by the late author. Published by George Routledge & Sons, Ltd. in April of 1914, Dracula’s Guest and Other Weird Stories is now a frequently reprinted horror collection, a fine showcase of Stoker’s most macabre, grotesque, and sometimes darkly humorous fictions. He included stories previously published in English and American periodicals, many of them now considered classics of the genre, such as “The Judge’s House”, “Burial of the Rats”, and “The Squaw”. With the exception of “The Gipsey Prophecy”, these stories first saw print in the 1890s — although exactly when they had originally been written is still a mystery even to the most ardent Stoker bibliographer.

Despite the collection’s impressive crop of tales, what really entices readers to its pages is undoubtedly the title story. That was probably the intention too. “Dracula’s Guest” is cannily sequenced as the lead story, giving the collection both its title and allure. In her brief preface to the volume, Stoker’s widow Florence notes that she herself had added to the contents this “hitherto unpublished episode from Dracula [ . . . ] originally excised owing to the length of the book”. She most certainly did this with some sense of business acumen. In some ways, “Dracula’s Guest” served as a sort of informal sequel to Dracula, and Florence Stoker was certainly correct to surmise that this addition “may prove of interest to the many readers of what is considered my husband’s most remarkable work.”

DraculasGuest“Dracula’s Guest”, atmospheric and other-worldly in execution, has caused over a century of head scratching in Stoker scholarship circles: How exactly does this excised episode fit into Dracula? What accounts for the inconsistencies between the story and the novel? Did a ghost writer contribute to “Dracula’s Guest” in whole or in part? These questions have been explored sufficiently elsewhere, and there is little point in discussing them again here.

Florence, however, did raise another mystery in her preface, a question not as frequently pondered, but no less provocative: “A few months before the lamented death of my husband — I might say even as the shadow of death was over him — he planned three series of short stories for publication, and the present volume is one of them.” If Dracula’s Guest was the first of three collections, then what were the other two?

Within the past decade, a number of hitherto unknown writings by Stoker have been discovered in British, American, Australian, and Irish periodicals, adding profoundly to the scholarship of the previous century. These discoveries include short stories, interviews, articles, essays, sketches, and poems; some have appeared in disparate Stoker-related publications over the past decades, others remain obscure.

Though usually identified with his seminal horror novel Dracula, Stoker was far from confined to just the horror genre. If one looks at this expanded list of Stoker’s uncollected stories — those not included in Under the Sunset (1881), Snowbound (1908), or Dracula’s Guest (1914) — certain themes begin to emerge. Whereas Dracula’s Guest collects Stoker’s “weird stories”, the uncollected tales can loosely be categorised as tales of romance or tales of adventure. The stories we have gathered for the present volume fall distinctly into the latter group, though as with much of what Stoker wrote, touches of the macabre, grotesque, romantic, and darkly humorous are still to be found throughout.

Jacket PortraitWhile I would not presume to claim that Old Hoggen and Other Adventures is a long-lost classic by Bram Stoker, I do hope that it stands as a tantalising possibility, one of the other two collections Stoker was planning in his final years. Rather, the book you now hold in your hands I hope will be read as the collection that might have been.

Had Bram Stoker lived longer, he might have selected and edited these works differently. But, as fate has entrusted to us their issuance, I hope that it is fitting and proper to let these adventures go forth as Stoker had left them, and for the enjoyment of a new generation of readers.


A hardback, limited edition of Bram Stoker’s Old Hoggen and Other Adventures is available to order from Swan River Press. With a cover by Jason Zerrillo and an Introduction by John Edgar Browning and Brian J. Showers. Order a copy here.

Preface to Bram Stoker’s Old Hoggen