Here we are on the first day of 2017, and I realise that Swan River Press hasn’t had a single publication since August 2016. But the end of summer was certainly busy enough: we not only published one collection and two anthologies, but also helped run a festival. I’d feel a little more guilty about it had I not spent most of my holiday working on no less than three forthcoming publications (erm, one of them being the now overdue issue of The Green Book, I admit!) But I thought it would be worth the moment to have a look back at what we accomplished this year.
The first half of the year was overshadowed by Ireland’s 1916 Commemoration. Hundreds of events throughout Dublin and beyond marked the one hundred-year anniversary of the Easter Rising. Our first contribution to the occasion was issue seven of The Green Book, a themed issue that featured writings by genre writers who were affected by or even directly involved with the Rising. As I said in the Editor’s Note, the idea of doing a 1916-themed issue started tongue-in-cheek – especially given the country’s saturation in all things Easter Rising – but the result included pieces by AE, James Stephens, Arthur Machen, and Dorothy Macardle. One of the more poignant elements of the issue, something that makes the Rising seem much closer than a distant 100-years, is the intimate cover image: an x-ray of Lord Dunsany’s skull with the shrapnel embedded from a skirmish near the Four Courts. We reprinted in the issue his vivid recollection of the Rising from his autobiography Patches of Sunlight. For me the issue was a gratifying exploration of the Republic’s early beginnings.
Our second contribution to the national spirit of Ireland was a never-before reprinted collection from 1924 by Dorothy Macardle. The stories in Earth-Bound and Other Supernatural Tales were written while Macardle was incarcerated in Kilmainham and Mountjoy after being arrested at the Sinn Fein offices in 1922. While better known in Ireland for her political writings, and in the rest of the world for her novel ghostly The Uninvited (1941), I was pleased to make her collection of ghost stories available to readers again. And to the original collection we added numerous other tales and poems that Macardle wrote in the 1920s, making this one of the most complete collections of her short supernatural work. Once again, assembling this collection was an absolute pleasure as I got to work with Peter Berresford Ellis (who genre readers might also know as Peter Tremayne). Peter is a long time supporter of Macardle’s work, and his excellent introduction to our edition of Earth-Bound drew on his own archive of Macardle’s personal papers, including the rare photograph of Macardle standing beside a fireplace that we used for the author photo on the jacket. Needless to say, the whole experience was a pleasure, and I hope people enjoy the book.
The next book we did was another dream project: Fritz Leiber’s The Pale Brown Thing, which is an earlier version of his classic novel Our Lady of Darkness (1977). Not only did this book provide a great excuse to re-engage with one of my favourite novels of the supernatural and occult, but it also gave me the opportunity to work with the Californian poet Donald Sidney-Fryer. Donald has proven to be a enjoyable correspondent as well, in addition to being a fine writer of poetry. But his friendships with Fritz Leiber, Clark Ashton Smith, and others provides us with an important and direct link with the our literary heritage. Donald is a fascinating gent and if you’re interested in learning more about him, I suggest you pick up his recent autobiography, Hobgoblin Apollo. Finally, in an unexpected twist, I was able to visit San Francisco this December and made the pilgrimage to the Hotel Union at 811 Geary Street – where Leiber both lived and used as the setting for The Pale Brown Thing/Our Lady of Darkness – and of courseI also climbed to the peak of Corona Heights where Franz Weston first spies the pale brown thing . . . I’m a sucker for literary tourism. (Here’s my earlier post about Donald and The Pale Brown Thing.)
Next up is a book I feel most privileged to have published: Lynda E. Rucker’s second collection, You’ll Know When You Get There. Lynda’s fiction is the sort of stuff I love to read. I’d been hoping to work with her for a long time now, and this was the year. Supernatural fiction is the sort of thing that’s sometimes read with half a mind for nostalgia – who doesn’t love M.R. James? – but Lynda’s stories are fully modern, atmospheric and, above all, disquieting. True, she reaches back to the past masters (one of the best stories in the collection is “Who Is This Who Is Coming?”, a not-so-subtle nod to James), but you’ll also find stories like “The Haunting House”, an inexorable drive into loneliness and darkness. I’m looking forward to what Lynda does next, and even if I hadn’t had the pleasure of publishing this collection, she’s a writer I’d recommend keeping an eye on. Steve Duffy interviewed Lynda just before You’ll Know When You Get There came out this summer. You can read the whole interview here. And when you’re finished, if you haven’t already, pick up a copy of this book. You won’t regret it.
Also published in August were a pair of books I’d been working on for well over a year. I’m happy to introduce the first two volumes of Swan River Press’s anthology series, Uncertainties (Volume 1 and Volume 2). As with some of the other books we did this year, it was a good excuse for me to work with a number of authors who I’ve admired and wanted to work with for a long time now. And since I’m limited by how many books I can realistically publish in a year, this was a good way to cover some ground, self-indulgent though it may be. With these books I wanted to show where the supernatural genre is at now – a modern and still evolving literary style – and showcase the writers exploring themes of the uncanny in all its myriad guises. You’ll find in these volumes some of my very favourite writers, including Emma Darwin, Reggie Oliver, Rosalie Parker, Timothy J. Jarvis, V.H. Leslie, and others. I was also fortunate to have an introduction by John Connolly in Volume 1. How cool is that? If you want to read my introduction to Volume 2, you can find it online here. And I hope Lynda E. Rucker won’t mind if I announce here that I’ve asked her to edit Volume 3, due out in 2018. (She said yes.)
And this post wouldn’t be complete without mentioning the Dublin Ghost Story Festival held at the Freemason Hall on Molesworth Street this past August. Here’s a short piece I wrote for the Irish Times about the genesis of the festival; you can read it here. I co-organised the event with John Connolly, and without his help I don’t think it would have happened at all, or certainly not as successfully. The vibe was casual and intimate, with 170 registered attendees, and for one solid weekend we got to indulge in our mutual passion: the ghost story. Our guest of honour couldn’t have been better, so special thanks is due to Adam Nevill for charming Dublin. Other guests included Sarah Pinborough, David Mitchell, Angela Slatter, John Reppion . . . I could list more, but there were so many people who contributed I’d undoubtedly miss some. Suffice to say I’m grateful to absolutely everyone who helped out, attended, or cheered us on from other countries. The Dublin Ghost Story Festival was a real highlight of the year. Although there are no firm plans just yet, we’re looking at the possibility of doing another festival for 2018. Stay tuned. Or better yet, join our mailing list.
So there you have it. Those were the Swan River Press highlights of 2016. Let me know if I missed something. The schedule for 2017 is already shaping up to be an intimidating and ambitious enough project. While I wouldn’t want to say too much, I will say that the first book of the year will be Mervyn Wall’s 1974 short story collection A Flutter of Wings – this reprint will additionally include Wall’s play Alarm Among the Clerks (1937) and the opening chapter of an abandoned novel. Our new edition will feature an introduction by Val Mulkerns and illustrations by Clare Brennan (who is Mervyn Wall’s granddaughter).
Once again, I’d like to thank everyone who made 2016 such a successful year, both for myself and Swan River. Running a small press is a pleasure and a privilege, and I’m grateful to all for it. I’d like to wish everyone a happy new year and I hope to hear from you all soon.
Brian J. Showers