Lady Augusta Gregory (1852-1932)

07 Lady Augusta Gregory

“He called to it and said, ‘Tell me what you are?’ ” – “The Unquiet Dead” (1920)

Lady Augusta Gregory (1852-1932), noted folklorist and playwright, was born Isabella Augusta Persse to a wealthy Anglo-Irish family in Co. Galway on 15 March 1852. In 1880 she married Sir William Henry Gregory, former Member of Parliament and once-governor of Ceylon. After Sir William’s death in 1892, Lady Gregory started collecting Irish legends and folklore, a lifelong interest that took form as Cuchulain of Muirthemne (1902), Gods and Fighting Men (1904), A Book of Saints and Wonders (1906), and Visions and Beliefs in the West of Ireland (1920). She was a friend and collaborator of W. B. Yeats, with whom she co-founded the Abbey Theatre in 1904. She also wrote a number of plays, mainly comedies and fantasies inspired by Irish myths. After stepping down as director of the Abbey Theatre in 1928, she retired to her family residence at Coole Park, where she did on 22 May 1932. She is today remembered as one of the leading lights of the Celtic Revival.


Bending to EarthBending to Earth: Strange Stories by Irish Women edited by Maria Giakaniki and Brian J. Showers

Order a copy of Bending to Earth.

Irish women have long produced literature of the gothic, uncanny, and supernatural. Bending to Earth draws together twelve such tales. While none of the authors herein were considered primarily writers of fantastical fiction during their lifetimes, they each wandered at some point in their careers into more speculative realms — some only briefly, others for lengthier stays.

Names such as Charlotte Riddell and Rosa Mulholland will already be familiar to aficionados of the eerie, while Katharine Tynan and Clotilde Graves are sure to gain new admirers. From a ghost story in the Swiss Alps to a premonition of death in the West of Ireland to strange rites in a South Pacific jungle, Bending to Earth showcases a diverse range of imaginative writing which spans the better part of a century.

Read  an Extract from the Introduction to Bending to Earth.

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Lady Augusta Gregory (1852-1932)

B. M. Croker (1849-1920)

06 B. M. Croker

“Why was I conscious of a beating heart, accompanied by a scarcely defined, but undeniable dread?” “The Red Woollen Necktie” (1896)

B. M. Croker (c.1849-1920) was a popular and bestselling author who enjoyed a highly successful career from 1880 until her death forty years later. Her novels, mostly set in India, her native Ireland, and England, were witty and fast moving. Bithia Mary Sheppard was born in Co. Roscommon, the only daughter of a Church of England clergyman, and married John Stokes Croker (1844-1911), an officer in the Royal Scots Fusiliers, in 1870. The newlyweds left for Madras, India immediately after the marriage; they later lived in Bengal, and a hill-station in Wellington (where many of her stories were written). On Colonel Croker’s retirement in 1892, they went to live in Co. Wicklow, and finally settled in Folkestone. She died at a nursing home in London, after a short and sudden illness, on 20 October 1920. Although Croker wrote numerous ghost stories during her career, they were only collected in 2000 as “Number Ninety” and Other Ghost Stories.


Bending to EarthBending to Earth: Strange Stories by Irish Women edited by Maria Giakaniki and Brian J. Showers

Order a copy of Bending to Earth.

Irish women have long produced literature of the gothic, uncanny, and supernatural. Bending to Earth draws together twelve such tales. While none of the authors herein were considered primarily writers of fantastical fiction during their lifetimes, they each wandered at some point in their careers into more speculative realms — some only briefly, others for lengthier stays.

Names such as Charlotte Riddell and Rosa Mulholland will already be familiar to aficionados of the eerie, while Katharine Tynan and Clotilde Graves are sure to gain new admirers. From a ghost story in the Swiss Alps to a premonition of death in the West of Ireland to strange rites in a South Pacific jungle, Bending to Earth showcases a diverse range of imaginative writing which spans the better part of a century.

B. M. Croker (1849-1920)

L. T. Meade (1844-1914)

“She stands there at the foot of the bed; she wears a hood, and her face is yellow. She has been dead a long time.” “The Woman with the Hood” (1897)

L. T. Meade (1844?-1914) was the pen name of Elizabeth Thomasina Toulmin Smith, née Meade. She was born in Bandon, Co. Cork and started writing at the age of seventeen, quickly establishing herself as one of the most prolific and bestselling authors of the day. In addition to her books for young people, she also penned mystery stories, sensational fiction, romances, historical, and adventure novels; part of this tremendous output was co-written with other authors, such as Robert Eustace (1854-1943). Her most notable works include A World of Girls (1886), Light o’ the Morning (1899), The Brotherhood of the Seven Kings (1899), and The Sorceress of the Strand (1903). Meade also edited Atalanta, a popular girls’ magazine, in which she published H. Rider Haggard, R. L. Stevenson, and Katharine Tynan. She died in Oxford on 27 October 1914. Although now much of her writing is largely unread, her stories are occasionally reprinted as examples of early crime fiction.


Bending to Earth: Strange Stories by Irish Women edited by Maria Giakaniki and Brian J. Showers

Order a copy of Bending to Earth.

Irish women have long produced literature of the gothic, uncanny, and supernatural. Bending to Earth draws together twelve such tales. While none of the authors herein were considered primarily writers of fantastical fiction during their lifetimes, they each wandered at some point in their careers into more speculative realms — some only briefly, others for lengthier stays.

Names such as Charlotte Riddell and Rosa Mulholland will already be familiar to aficionados of the eerie, while Katharine Tynan and Clotilde Graves are sure to gain new admirers. From a ghost story in the Swiss Alps to a premonition of death in the West of Ireland to strange rites in a South Pacific jungle, Bending to Earth showcases a diverse range of imaginative writing which spans the better part of a century

Read an Extract from the Introduction to Bending to Earth.

L. T. Meade (1844-1914)

Rosa Mulholland (1841-1921)

“The lonely graveyard is far away, an’ the dead man is hard to raise—” “Not to Be Taken at Bed-Time” (1865)

Rosa Mulholland (1841-1921), Lady Gilbert, was born in Belfast on 19 March 1841. In 1891 she married the eminent Irish historian and archivist Sir John T. Gilbert (1829-1898). In addition to her two-volume Life of Sir John T. Gilbert (1905), Mulholland produced a long line of novels mostly set in rural Ireland, often drawing on local folklore, and featuring strong female characters, including The Wicked Woods of Toberevil (1872), Banshee Castle (1895), and The O’Shaughnessy Girls (1911). Many of her supernatural tales, originally appearing in Charles Dickens’s All the Year Round and Irish Monthly, were collected in The Haunted Organist of Hurly Burly (1880). A further selection of her ghostly tales appears under the title Not to Be Taken at Bed-Time & Other Strange Stories (2013). Mulholland died at her home Villa Nova in Blackrock, Dublin, on 21 April 1921.


Bending to Earth: Strange Stories by Irish Women edited by Maria Giakaniki and Brian J. Showers

Order a copy of Bending to Earth.

Irish women have long produced literature of the gothic, uncanny, and supernatural. Bending to Earth draws together twelve such tales. While none of the authors herein were considered primarily writers of fantastical fiction during their lifetimes, they each wandered at some point in their careers into more speculative realms — some only briefly, others for lengthier stays.

Names such as Charlotte Riddell and Rosa Mulholland will already be familiar to aficionados of the eerie, while Katharine Tynan and Clotilde Graves are sure to gain new admirers. From a ghost story in the Swiss Alps to a premonition of death in the West of Ireland to strange rites in a South Pacific jungle, Bending to Earth showcases a diverse range of imaginative writing which spans the better part of a century.

Read an Extract from the Introduction to Bending to Earth.

Rosa Mulholland (1841-1921)

Charlotte Riddell (1832-1906)

“The terror of it instead of unchaining my voice laid an icy hand upon my mouth and kept me still and silent.” – “The De Grabrooke Monument” (1879)

Charlotte Riddell (1832-1906) was born Charlotte Eliza Lawson Cowan in Carrickfergus, Co. Antrim on 30 September 1832. She moved to London in 1855 where she started her career as a writer. There, in 1857, she married engineer and inventor Hadley Riddell. By 1867 she was the editor and co-proprietor of the St. James’s Magazine (previously edited by Anna Maria Hall). From 1857 until 1902, Riddell published more than thirty volumes, mostly novels but also short story collections. Although her realist fiction was popular during her lifetime, today she is primarily remembered for her ghost stories. She wrote five supernatural novellas, including The Uninhabited House (1875) and The Haunted River (1877), and her collection Weird Stories (1882) is now considered a classic of the genre. Riddell’s husband died in 1881, and in 1886 she left London for nearby Middlesex. Suffering from ill health and financial difficulties, she was awarded a Society of Authors pension in 1901. Riddell died on 24 September 1906 and is buried in St. Leonard’s Churchyard, Heston.


Bending to Earth: Strange Stories by Irish Women edited by Maria Giakaniki and Brian J. Showers

Order a copy of Bending to Earth.

Irish women have long produced literature of the gothic, uncanny, and supernatural. Bending to Earth draws together twelve such tales. While none of the authors herein were considered primarily writers of fantastical fiction during their lifetimes, they each wandered at some point in their careers into more speculative realms — some only briefly, others for lengthier stays.

Names such as Charlotte Riddell and Rosa Mulholland will already be familiar to aficionados of the eerie, while Katharine Tynan and Clotilde Graves are sure to gain new admirers. From a ghost story in the Swiss Alps to a premonition of death in the West of Ireland to strange rites in a South Pacific jungle, Bending to Earth showcases a diverse range of imaginative writing which spans the better part of a century.

Read an Extract from the Introduction to Bending to Earth.

Charlotte Riddell (1832-1906)

Lady Jane Wilde (1821-1896)

“And no one knew how the flowers came into her dead hand.” –  “The Child’s Dream” (1887)

Lady Jane Francesca Wilde (1821?-1896), born in Dublin, was a poet, folklorist, nationalist, and feminist who wrote under the name “Speranza”. Her earliest writings were published in The Nation, a pro-independence weekly newspaper; much of this nationalist poetry was collected in Poems (1864). She married the surgeon and writer Sir William Wilde in 1851 and had three children with him, among them Oscar Wilde. By the end of the 1860s Lady Wilde was hosting the most celebrated literary salon in Dublin at her home in Merrion Square, where Bram Stoker was a frequent guest. After her husband’s death, she joined her sons in London. Based on material collected by William Wilde in the west of Ireland, Lady Wilde produced two formidable volumes: Ancient Legends, Mystic Charms and Superstitions of Ireland (1887) and Ancient Cures, Charms, and Usages of Ireland (1890). Living in relative poverty, she continued to write for magazines such as Pall Mall Gazette, Tinsley’s, and Burlington Magazine until her death on 3 February 1896.


Bending to Earth: Strange Stories by Irish Women edited by Maria Giakaniki and Brian J. Showers

Order a copy of Bending to Earth.

Irish women have long produced literature of the gothic, uncanny, and supernatural. Bending to Earth draws together twelve such tales. While none of the authors herein were considered primarily writers of fantastical fiction during their lifetimes, they each wandered at some point in their careers into more speculative realms — some only briefly, others for lengthier stays.

Names such as Charlotte Riddell and Rosa Mulholland will already be familiar to aficionados of the eerie, while Katharine Tynan and Clotilde Graves are sure to gain new admirers. From a ghost story in the Swiss Alps to a premonition of death in the West of Ireland to strange rites in a South Pacific jungle, Bending to Earth showcases a diverse range of imaginative writing which spans the better part of a century.

Read an Extract from the Introduction to Bending to Earth.

Lady Jane Wilde (1821-1896)

Anna Maria Hall (1800-1881)

01 Anna Maria Hall

“Granny, did you know why your friend ventured so fearlessly into the ghost’s territories?”  – “The Dark Lady” (1847)

Anna Maria Hall (1800-1881), who wrote under the name Mrs. S. C. Hall, penned numerous collections, novels, and plays in which she often depicted sympathetic portraits of Ireland and its people. She was born Anna Maria Fielding in Anne Street, Dublin, on 6 January 1800. At the age of fifteen she moved to London where, in 1824, she married journalist and editor Samuel Carter Hall (1800-1889). During her career, she contributed articles, sketches, and stories to several periodicals edited by her husband, including The Amulet and The Art Journal; she also briefly edited St. James’s Magazine. Hall is primarily remembered for her regional works, which include Sketches of Irish Character (1829), Lights and Shadows of Irish Life (1838), and Ireland: Its Scenery and Character (1841-43; co-written with her husband). She was also a member of the Irish temperance movement and a fervent supporter of women’s rights. She died on 30 January 1881.


Bending to Earth

Bending to Earth: Strange Stories by Irish Women edited by Maria Giakaniki and Brian J. Showers

Order a copy of Bending to Earth.

Irish women have long produced literature of the gothic, uncanny, and supernatural. Bending to Earth draws together twelve such tales. While none of the authors herein were considered primarily writers of fantastical fiction during their lifetimes, they each wandered at some point in their careers into more speculative realms — some only briefly, others for lengthier stays.

Names such as Charlotte Riddell and Rosa Mulholland will already be familiar to aficionados of the eerie, while Katharine Tynan and Clotilde Graves are sure to gain new admirers. From a ghost story in the Swiss Alps to a premonition of death in the West of Ireland to strange rites in a South Pacific jungle, Bending to Earth showcases a diverse range of imaginative writing which spans the better part of a century.

Read an Extract from the Introduction to Bending to Earth.

Anna Maria Hall (1800-1881)