The Green Book 15

Green Book 15EDITOR’S NOTE

In our previous issue, we focused on the lives of writers, featuring as we did reminiscences, interviews, and memoirs. For this issue I’d like to do something different. While we have featured occasional pieces of fiction in previous issues, including “Saved by a Ghost” by Bram Stoker in Issue 6 and “The Boys’ Room” by Dorothy Macardle in Issue 9, I’ve decided this time around to turn over the entire issue to fiction.

Consider this issue a special anthology issue, and an eclectic one at that. There is little to tie these pieces together, save for the fact each author grew from the soil of the same island at the edge of Europe, which is to say they are all Irish by birth. Perhaps, instead, to state the obvious, one might find that each story reflects more so its author than any affinity with one another — and yet they are here between these covers. I hope most, if not all, of these stories will be new to you.

Rosa Mulholand’s “A Priest’s Story” is certainly informed by her own Catholic beliefs, the supernatural elements driven by faith more than fear. Similarly, “The Story of a Star” is a fable that could only have flowed from the pen of the mystical poet and painter A.E.

Robert Cromie is best known for his novel The Crack of Doom (1895), which contains what is thought to be the first description of an atomic explosion in fiction. Published here is his supernatural short story “Squire Grimshaw’s Ghost” — decidedly more gothic than the scientific fiction for which he is now remembered.

Herbert Moore Pim’s “The Madman” is indeed a mad bit of writing from his singular collection Unknown Immortals of the Northern City of Success (1917). Whether the madman in question is based on a real person known to Pim is anyone’s guess. Beatrice Grimshaw’s “Cabin No. 9” is a ghost story set on the high seas, full of the adventure and incident one expects from Grimshaw. Unfortunately it is also marred by her racism, but I hope you will enjoy the tale nevertheless. Cheiro’s “A Bargain Made with a Ghost” purports to be based on true events — insofar as any tale told by Cheiro can be trusted as true. But the story is ably told and certainly entertaining.

Dorothy Macardle’s “The Shuttered Room” was originally broadcast on Radio Eireann on 13 September 1957. It was the sixth and last talk by Macardle in her Days and Places series. The other pieces in the series are reminiscences of her travels and experiences in post-war Europe and her sole trip to America. Though the “The Shuttered Room” was the story’s original title, on the manuscript this is crossed out, and a new title given: “A World of Dream”. This new title is then crossed out with “stet” written beside the original. This is the first time “The Shuttered Room” has appeared in print.

Finally we have Conall Cearnach’s “The Fiend That Walks Behind” from his sole (and slim) volume The Fatal Move and Other Stories (1924); a mixed bag as a collection, this tale of revenge from beyond the grave is perhaps the best of the lot.

And there you have it: I hope an entertaining crop of stories that will keep you amused for an evening. If you enjoy this all – fiction issue, maybe we’ll do another sometime?

Brian J. Showers
Rathmines, Dublin
19 April 2020

You can buy The Green Book here.

Contents

“Editor’s Note”
Brian J. Showers

“A Priest’s Ghost Story”
Rosa Mulholland

“Squire Grimstone’s Ghost”
Robert Cromie

“A Scrap of Irish Folklore”
Rosa Mulholland

“The Madman”
Herbert Moore Pim

“The Story of a Star”
A.E.

“Cabin No. 9”
Beatrice Grimshaw

“A Bargain Made with a Ghost”
Cheiro

“The Shuttered Room”
Dorothy Macardle

“The Fiend That Walks Behind”
Conall Cearnach

“Notes on Contributors”

The Green Book 15

The Green Book 14

Green Book 14EDITOR’S NOTE

We encounter and enjoy authors mostly through their writing, forgetting sometimes that there are personalities behind their words, some astonishingly well-known in their time, often now relegated to small press rediscoveries. With sufficient spans of years, these authors and their personalities pass out of memory, becoming less familiar to us as people and more so as names on title pages. But it is important to remember that these authors lived and worked, had careers and relationships; some of them died while relatively unknown, others were widely celebrated for their creations. With this in mind, I’ve decided to focus the current issue on reminiscences, interviews, and memoirs in hopes of summoning the shades of these writers and to show that in some ways their lives were not always so different from our own.

To that end, you will find a number of texts I have been collecting these past few years, now nestled here comfortably beside one another. Each one, I hope, will give you some insight into the lives of these authors, who they were, and a past that is not necessarily so far distant.

There are first-hand accounts by authors with whom I hope you are now familiar. Rosa Mulholland, Cheiro, and Dorothy Macardle all relate anecdotes of their own experiences with the psychical and supernatural. Elsewhere in this issue, you can spend an entertaining evening with Mervyn Wall. In this talk, given to the Bram Stoker Society in 1987, he delves into witchcraft and details the origins of his best-loved novel, The Unfortunate Fursey (1946).

We have a few interviews — “chats” — with those who worked as professionals, and whose names were familiar to the broader public on a weekly basis, as their stories were published and novels serialised in magazines of the day. Among these sketches you’ll be invited to spend agreeable afternoons with L. T. Meade, Charlotte Riddell, and Katharine Tynan. While they may not discuss strictly ghastly material, I hope these interviews bring us that much closer to authors whose works still find admiration of a modern readership.

You’ll also find some brief memoirs, including litterateur William Winter’s reminiscence of his fallen comrade Fitz-James O’Brien, who died in the American Civil War; and Samuel Carter Hall, who conjures two of Dublin’s gothic greats: Charles Maturin and Joseph Sheridan Le Fanu — perhaps reminding us that these authors existed in a wider social world.

However, the issue commences with Albert Power’s appraisal of George Croly’s Salathiel (1828), a novel which Stoker biographer Paul Murray posited as an influence on the composition of Dracula. Although, a tale of the Wandering Jew, Salathiel might have more in common thematically with Charles Maturin’s Melmoth the Wanderer, than Bram Stoker’s more famous book. Power aptly leads us through the life of Reverend Croly and how his book fits into the literary milieu of the dark fantastic.

If you would like to read more about some of these writers among these pages, you’ll find lengthier profiles in earlier issues of The Green Book. In Issue 9: Rosa Mulholland; Issue 12: Mervyn Wall; Issue 13: Cheiro and Beatrice Grimshaw. While this issue and the next will serve as an intermission in our Guide to Irish Writers of Gothic, Supernatural, and Fantastic Fiction, fear not — we will return with more entries in future instalments.

Brian J. Showers
Rathmines, Dublin
15 April 2020

You can buy The Green Book here.

Contents

“Editor’s Note”
Brian J. Showers

“Who Marvels at the Mysteries of the Moon: George Croly’s Salathiel”
Albert Power

“Sketch of Fitz-James O’Brien”
William Winter

“Le Fanu and Maturin: Two Reminiscences”
Samuel Carter Hall

“About Ghosts”
Rosa Mulholland

“How I Found Adventure”
Beatrice Grimshaw

“A Biographical Sketch of Mrs. L. T. Meade”
Helen C. Black

“Sweet Singer from Over the Sea”
A Chat with Katharine Tynan

“A Chat with Mrs. J. H. Riddell”
Raymond Blathwayt

“Extracts from Confessions: Memoirs of a Modern Seer”
Cheiro

“They Say It Happened”
Dorothy Macardle

“Ghost Story of a Novelist”
Katharine Tynan

“Witchcraft and the Origins of The Unfortunate Fursey”
Mervyn Wall

“Notes on Contributors”

The Green Book 14