Ghosts of the Chit-Chat

“This Society shall be called the ‘Chit-Chat Club’, and consist of Members of the University, and have for its object the promotion of rational conversation.”

“Preface” to Ghosts of the Chit-Chat by Robert Lloyd Parry

This rule, the first in the founding charter of the Chit-Chat, was not always strictly observed during the thirty-seven years of the club’s existence. It’s true that membership was only ever drawn from undergraduates and staff of Cambridge University, but the name was subject to variation, and it was for an evening of supernatural storytelling rather than rational conversation that the Chit-Chat has earned its modest place in the history of English literature.

On the evening of Saturday, 28 October 1893, members past and present ought to have been enjoying a dinner in celebration of the club’s recently held 600th meeting. The secretary, A. B. Ramsay, had failed to make the necessary arrangements, however. So instead, ten current members and one guest gathered in the rooms of the Junior Dean of King’s College and listened—with increasing absorption one suspects—as their host read “Two Ghost Stories”.

Ghosts of the Chit-Chat is not the first book to celebrate this momentous event in the history of supernatural literature, the earliest dated record we have of M. R. James reading his ghost stories out loud. But it is the first to look more widely at the contributions that other club members made to the genre. The authors whose works appear in these pages are not a diverse group: they were the privately educated sons of bankers, lawyers, schoolmasters, and clergymen, who would themselves go on to careers in academia, journalism, the army and the church. But they were also men of imagination, curiosity, and wit, and the variety lies in the different approaches to supernatural fiction: here you’ll find tales of ghostly retribution and black magic; spatterings of gore and glimpses “beyond the veil”. You’ll read stories written to edify schoolboys, and poems composed to tickle undergraduates. You’ll encounter allegory, satire, and mysticism.

Artwork by John Coulthart

And while all the writers invoke ghosts in their work, many are also shades themselves; men whose remembrances have faded, whose voices are but faintly heard today. M. R. James and E. F. Benson remain in the mainstream, it’s true. But while names like Maurice Baring, Desmond MacCarthy, and J. K. Stephen may still ring faint bells with the book-loving public, their works are long out of print. Whereas the writings of Robert Carr Bosanquet and Will Stone are found only in the pages of unread memorial volumes.

Used with permission from the Syndics of Cambridge University Library

Each of the works selected here is preceded by an account of the author’s life and his relationship to M. R. James and—except in one case—formal membership of the Chit-Chat Club is a prerequisite for inclusion in this volume. Celebrated Cambridge supernaturalists like Arthur Gray, E. G. Swain, R. H. Malden, and others find no place here for the simple reason that they never made the commitment to attend a meeting every Saturday evening at 10 p.m. during term, take a pinch of snuff, and listen to one of their friend’s read a paper. Or perhaps they were never asked.

The designations of the Chit-Chat as a “club” and a “society” were interchangeable from the beginning—both appear in the first set of rules. The minute books, and the letters and memoirs of past members, variously render the name as “Chit-Chat”, “Chit Chat”, or “Chitchat”. Except when quoting other sources, I shall follow rule one from the first set of rules, quoted above, and use Chit-Chat Club.

Read more about John Coulthart’s Cover.

Buy Ghosts of the Chit-Chat.

Ghosts of the Chit-Chat

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